Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
A Blind man playing a hurdy-gurdy,together with a young boy playing the drums,with a dancing dog
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ID: 27566

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unknow artist A Blind man playing a hurdy-gurdy,together with a young boy playing the drums,with a dancing dog


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unknow artist

  Related Paintings of unknow artist :. | themsen pa karl II s tid | Classical hunting fox, Equestrian and Beautiful Horses, 147. | Islamic school horse and horseman illustration out of the book of the smith art of Ahmed ibn al-Husayn ibn al-Ahnaf | Portrait of Frances d'Arblay 'Fanny Burney' (1752-1840), British writer | California landscape |
Related Artists:
John Mundell
painted Punting Down the River in 19th Century
Vervloet Francois
Malines 1795-Venise 1872
Theodore Roussel
English Painter, 1847-1926 English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. Largely self-taught, his few extant early paintings show an eclectic style that combines the techniques of the Old Masters, which he studied in detail, with the subject-matter of modern urban life. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. As Roussel was a member of Whistler's London circle his work in watercolour and oil was influenced by the latter in style and choice of subject-matter. His oft-quoted remark that he was a 'pupil of Whistler' is, however, belied by his frequently distinct style, as seen in such paintings as the Reading Girl (1886-7; London, Tate). In 1888 Whistler introduced him to the techniques of etching and drypoint, resulting in such etchings as the Sign of the 'White Horse', Parson's Green (c. 1893-4; see Rutter, pl. xxx). For the remainder of his life he relentlessly pursued the medium, even, like Whistler, designing his own special frames. Always fascinated by the theoretical and practical nature of colour science, he constantly experimented and was an early pioneer of the technique of colour etching in England, producing such works as Dawn.






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